i keep coming back to improv
i think it's because improv is this game we can inhabit to embody openness
openness, spontaneity, surrender, attentiveness, and curiosity, rather than an imposed structure of control
that is what is so appealing about saying "yes and." that humour and beauty and joy and something wonderful could come from just being here enough to see what's available to play with - without pre-planning an ideal outcome or a way to get there.
-
however, i've been thinking about a possible counterpart to "yes and"-ing, which is going along
that is, a kind of "yes" without an "and." this is saying yes to every first good idea, jumping onto every bit, leading to incoherence
and directionlessness eventually invites the dream of structure and hierarchy and institutionalization and optimizing.
which may be true
but i think there's something about how rather than needing to say "no," or discerning what to say no to (which is still important, don't get me wrong)
we can be mindful of how there's always multiple things to say "yes, and" to in every offer
like it's not about NOT saying "no" to an offer that seems immediately revulsive and unfunny to you
but about saying "yes" to the other interesting things going on - the other, perhaps more subtle, invitations there
(there's always interesting things going on)